Narcissism in Modern Balochi Poetry

Abstract

This study explores the historical background of narcissism siting its roots in the Greek Mythology and highlights the psychological aspects in literature. Furthermore, it sheds light on the significance of narcissism in point of view of classical and modern literature. Most importantly, this research work focuses the theme of narcissism in modern Balochi poetry, focusing on how contemporary poets navigate self-identity, ego, and individualism within a traditionally collective and tribal cultural framework. As Balochi poetry evolves in response to socio-political changes, urbanization, the influence of global literary trends and an influential linkage with Balochi classical poetry, a noticeable shift toward self-centric expression has emerged. This paper examines how narcissistic tendencies manifest in poetic voice, subject matter, and stylistic choices—often through heightened self-reflection, glorification of personal suffering, and a preoccupation with the poet's own image and emotions. Drawing on the works of prominent modern Balochi poets, the study highlights how narcissism functions both as a psychological undercurrent and as a literary device, reflecting broader tensions between tradition and modernity, community and individuality. Ultimately, the research situates narcissism not merely as a personal trait but as a mirror of the evolving identity struggles within Baloch society.